{"id":6617,"date":"2021-09-29T18:51:45","date_gmt":"2021-09-29T15:51:45","guid":{"rendered":"https:\/\/worldballetclass.com\/?post_type=product&p=6617"},"modified":"2021-09-29T19:12:05","modified_gmt":"2021-09-29T16:12:05","slug":"maestra-mayumi-sakamoto-leccion-numero-8-arabesques-poses-de-la-danza-clasica-metodo-de-la-escuela-vaganova-parte-1","status":"publish","type":"product","link":"https:\/\/worldballetclass.com\/ja\/master-classes\/maestra-mayumi-sakamoto-leccion-numero-8-arabesques-poses-de-la-danza-clasica-metodo-de-la-escuela-vaganova-parte-1\/","title":{"rendered":"Maestra Mayumi Sakamoto
Leccion numero 8 | Arabesques | Poses De La Danza Cl\u00e1sica- Met\u00f3do De La Escuela Vaganova Parte 1"},"content":{"rendered":"

Parte 1
\nEl arabesque es una de las poses b\u00e1sicas de la danza cl\u00e1sica.
\nLas formas del arabesque son multiples. Los principales arabesque adoptados en la escuela rusa para sus ballets son los cuatros siguientes:
\n1\u00ba Arabesque (abierto, ouverte, along\u00e9e). 2\u00ba Arabesque. 3\u00ba Arabesque y el 4\u00ba Arabesque.
\nEl estudio de los arabeques habitualmente se ense\u00f1a despu\u00e9s de haberse estudiado correctamente las poses \u00e9paulement crois\u00e9e avant y derri\u00e8re (fr. delante y detr\u00e1s), seguido de las pose \u00e9paulement en effac\u00e9e y ecart\u00e9e avant y derri\u00e8re. Les recordamos que el \u00e9paulement es el primer rasgo que se incluye en los ejercicios del ni\u00f1o principiante y que incluye el fundamento de su futuro aspecto art\u00edstico.De estos la danza cl\u00e1sica toma la riqueza de sus formas.
\nLa lecci\u00f3n n\u00famero 8 presenta en dos partes los 4 Arabesques del sistema Vaganova que te ayudar\u00e1n a conocer sus caracter\u00edsticas. Se explican los primeros pasos para desarrollar una correcta ejecuci\u00f3n del mismo para un alumno principiante. Primeramente los arabesques se estudian cada uno por separado con una pose d\u00e9gage derri\u00e8re en el suelo, sin levantar la pierna. M\u00e1s adelante con la pierna a 90\u00ba.
\nParte 1
\nEn esta lecci\u00f3n estudiaremos el 1\u00ba Arabesque y el 2\u00ba Arabesque. Demostrado por una alumna de 9 a\u00f1os que ejecuta por primera vez dicho movimiento, y en donde podremos apreciar la dificultad de su ejecucion para un ni\u00f1o principiante.
\nLa base de todo arabesque es la correcta colocaci\u00f3n de las manos, el cuerpo y la cabeza. Se debe prestar especial atenci\u00f3n en que la posici\u00f3n de la cintura y las caderas de la pierna de trabajo deben estar bien estirados. Muy a menudo, se observan m\u00e1s errores en la forma del 1\u00ba y 4\u00ba arabesque, por eso se deben estudiar con m\u00e1s cuidado.
\nRespetar la forma correcta en las poses es importante no s\u00f3lo para las poses en s\u00ed, sino tambi\u00e9n para la futura ejecuci\u00f3n exitosa de los tours y saltos en grandes poses.
\nLas posiciones indicadas de brazos, cuerpo y cabeza en poses son b\u00e1sicas. Durante el estudio inicial, estas posiciones deben cumplirse estr\u00edctamente. M\u00e1s adelante ser\u00e1n posibles combinaciones con posici\u00f3n de las manos y la cabeza con la constante inherente a esta postura, la posici\u00f3n del cuerpo, que es decisiva, ya que la posici\u00f3n de las manos y la cabeza depende de ello. Espero que mis lecciones les sirvan de motivaci\u00f3n e inter\u00e9s en aprender este genial m\u00e9todo de danza cl\u00e1sica!!!<\/p>\n","protected":false},"excerpt":{"rendered":"

El arabesque es una de las poses b\u00e1sicas de la danza cl\u00e1sica.
\nLas formas del arabesque son multiples. Los principales arabesque adoptados en la escuela rusa para sus ballets son los cuatros siguientes:
\n1\u00ba Arabesque (abierto, ouverte, along\u00e9e). 2\u00ba Arabesque. 3\u00ba Arabesque y el 4\u00ba Arabesque.<\/p>\n","protected":false},"featured_media":6623,"comment_status":"open","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"product_brand":[],"product_cat":[116],"product_tag":[50,52,138,172],"class_list":{"0":"post-6617","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-mayumi-sakamoto","7":"product_tag-beginner","8":"product_tag-for-children","9":"product_tag-vaganova-method","10":"product_tag-espanol","11":"desktop-align-left","12":"tablet-align-left","13":"mobile-align-left","15":"first","16":"instock","17":"virtual","18":"sold-individually","19":"purchasable","20":"product-type-simple"},"yoast_head":"\nMaestra Mayumi Sakamoto Leccion numero 8 | Arabesques | Poses De La Danza Cl\u00e1sica- Met\u00f3do De La Escuela Vaganova Parte 1 - WorldBalletClass<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/worldballetclass.com\/master-classes\/maestra-mayumi-sakamoto-leccion-numero-8-arabesques-poses-de-la-danza-clasica-metodo-de-la-escuela-vaganova-parte-1\/\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Maestra Mayumi Sakamoto Leccion numero 8 | Arabesques | Poses De La Danza Cl\u00e1sica- Met\u00f3do De La Escuela Vaganova Parte 1 - WorldBalletClass\" \/>\n<meta property=\"og:description\" content=\"El arabesque es una de las poses b\u00e1sicas de la danza cl\u00e1sica. 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