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	<title>Master-Classes - WorldBalletClass</title>
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	<title>Master-Classes - WorldBalletClass</title>
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	<item>
		<title>Life Time Subscription (Copy)</title>
		<link>https://worldballetclass.com/master-classes/life-time-subscription-copy-5/</link>
					<comments>https://worldballetclass.com/master-classes/life-time-subscription-copy-5/#respond</comments>
		
		<dc:creator><![CDATA[ABH Team]]></dc:creator>
		<pubDate>Sun, 27 Feb 2022 10:13:25 +0000</pubDate>
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					<description><![CDATA[<p>Lifetime subscription to all lessons WorldBalletclass</p>
<p>The post <a href="https://worldballetclass.com/master-classes/life-time-subscription-copy-5/">Life Time Subscription (Copy)</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Lifetime subscription to all lessons WorldBalletclass</p>
<p>The post <a href="https://worldballetclass.com/master-classes/life-time-subscription-copy-5/">Life Time Subscription (Copy)</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
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		<item>
		<title>Maestra Mayumi Sakamoto  Leccion numero 8 &#124; Arabesques &#124; Poses De La Danza Clásica- Metódo De La Escuela Vaganova Parte 1</title>
		<link>https://worldballetclass.com/master-classes/maestra-mayumi-sakamoto-leccion-numero-8-arabesques-poses-de-la-danza-clasica-metodo-de-la-escuela-vaganova-parte-1/</link>
					<comments>https://worldballetclass.com/master-classes/maestra-mayumi-sakamoto-leccion-numero-8-arabesques-poses-de-la-danza-clasica-metodo-de-la-escuela-vaganova-parte-1/#respond</comments>
		
		<dc:creator><![CDATA[ABH Team]]></dc:creator>
		<pubDate>Wed, 29 Sep 2021 15:51:45 +0000</pubDate>
				<guid isPermaLink="false">https://worldballetclass.com/?post_type=product&#038;p=6617</guid>

					<description><![CDATA[<p>El arabesque es una de las poses básicas de la danza clásica.<br />
Las formas del arabesque son multiples. Los principales arabesque adoptados en la escuela rusa para sus ballets son los cuatros siguientes:<br />
1º Arabesque (abierto, ouverte, alongée). 2º Arabesque. 3º Arabesque y el 4º Arabesque.</p>
<p>The post <a href="https://worldballetclass.com/master-classes/maestra-mayumi-sakamoto-leccion-numero-8-arabesques-poses-de-la-danza-clasica-metodo-de-la-escuela-vaganova-parte-1/">Maestra Mayumi Sakamoto &lt;BR&gt; Leccion numero 8 | Arabesques | Poses De La Danza Clásica- Metódo De La Escuela Vaganova Parte 1</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Parte 1<br />
El arabesque es una de las poses básicas de la danza clásica.<br />
Las formas del arabesque son multiples. Los principales arabesque adoptados en la escuela rusa para sus ballets son los cuatros siguientes:<br />
1º Arabesque (abierto, ouverte, alongée). 2º Arabesque. 3º Arabesque y el 4º Arabesque.<br />
El estudio de los arabeques habitualmente se enseña después de haberse estudiado correctamente las poses épaulement croisée avant y derrière (fr. delante y detrás), seguido de las pose épaulement en effacée y ecartée avant y derrière. Les recordamos que el épaulement es el primer rasgo que se incluye en los ejercicios del niño principiante y que incluye el fundamento de su futuro aspecto artístico.De estos la danza clásica toma la riqueza de sus formas.<br />
La lección número 8 presenta en dos partes los 4 Arabesques del sistema Vaganova que te ayudarán a conocer sus características. Se explican los primeros pasos para desarrollar una correcta ejecución del mismo para un alumno principiante. Primeramente los arabesques se estudian cada uno por separado con una pose dégage derrière en el suelo, sin levantar la pierna. Más adelante con la pierna a 90º.<br />
Parte 1<br />
En esta lección estudiaremos el 1º Arabesque y el 2º Arabesque. Demostrado por una alumna de 9 años que ejecuta por primera vez dicho movimiento, y en donde podremos apreciar la dificultad de su ejecucion para un niño principiante.<br />
La base de todo arabesque es la correcta colocación de las manos, el cuerpo y la cabeza. Se debe prestar especial atención en que la posición de la cintura y las caderas de la pierna de trabajo deben estar bien estirados. Muy a menudo, se observan más errores en la forma del 1º y 4º arabesque, por eso se deben estudiar con más cuidado.<br />
Respetar la forma correcta en las poses es importante no sólo para las poses en sí, sino también para la futura ejecución exitosa de los tours y saltos en grandes poses.<br />
Las posiciones indicadas de brazos, cuerpo y cabeza en poses son básicas. Durante el estudio inicial, estas posiciones deben cumplirse estríctamente. Más adelante serán posibles combinaciones con posición de las manos y la cabeza con la constante inherente a esta postura, la posición del cuerpo, que es decisiva, ya que la posición de las manos y la cabeza depende de ello. Espero que mis lecciones les sirvan de motivación e interés en aprender este genial método de danza clásica!!!</p>
<p>The post <a href="https://worldballetclass.com/master-classes/maestra-mayumi-sakamoto-leccion-numero-8-arabesques-poses-de-la-danza-clasica-metodo-de-la-escuela-vaganova-parte-1/">Maestra Mayumi Sakamoto &lt;BR&gt; Leccion numero 8 | Arabesques | Poses De La Danza Clásica- Metódo De La Escuela Vaganova Parte 1</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></content:encoded>
					
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		<title>Maestra Mayumi Sakamoto  Lección número 7 &#124; Para principiantes y maestros  La Importancia Del Temps Lié  Part 2 &#8220;Temps Lié Con Port De Bras&#8221;</title>
		<link>https://worldballetclass.com/master-classes/maestra-mayumi-sakamoto-leccion-numero-7-para-principiantes-y-maestros-la-importancia-del-temps-lie-part-2-temps-lie-con-port-de-bras/</link>
					<comments>https://worldballetclass.com/master-classes/maestra-mayumi-sakamoto-leccion-numero-7-para-principiantes-y-maestros-la-importancia-del-temps-lie-part-2-temps-lie-con-port-de-bras/#respond</comments>
		
		<dc:creator><![CDATA[ABH Team]]></dc:creator>
		<pubDate>Mon, 12 Apr 2021 16:32:52 +0000</pubDate>
				<guid isPermaLink="false">https://worldballetclass.com/?post_type=product&#038;p=6405</guid>

					<description><![CDATA[<p>El temps lié es una combinación de una serie de movimientos continuos interconectados con dificultades progresivas ejecutados en el centro de la sala. En los estudios del ballet, el temps lié como forma independiente es de suma importancia en el desarrollo de la coordinación de movimientos de los brazos, piernas, cabeza y cuerpo. En este ejercicio, que consta de dos tiempos, se conectan dos poses simples, pose épaulement croisé y pose à la seconde, con cambios de brazos de una posición a otra.</p>
<p>The post <a href="https://worldballetclass.com/master-classes/maestra-mayumi-sakamoto-leccion-numero-7-para-principiantes-y-maestros-la-importancia-del-temps-lie-part-2-temps-lie-con-port-de-bras/">Maestra Mayumi Sakamoto &lt;BR&gt; Lección número 7 | Para principiantes y maestros  La Importancia Del Temps Lié &lt;BR&gt; Part 2 &#8220;Temps Lié Con Port De Bras&#8221;</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>En esta lección estudiaremos la forma básica &#8211; el temps lié par terre con diferentes secuencias de movimientos de brazos con inclinaciones del torso &#8220;Port de bras&#8221; (cambré derrière y cambré de côté &#8211; à la seconde) El ejercicio será expuesto con mínimos detalles.<br />
Esta lección ayudará a todos los principiantes a coordinar mejor sus movimientos, preparar su cuerpo para los próximos ejercicios, dar un impulso de energía y positividad. Es muy importante y útil haber pasado la lección anterior (número 6) antes de pasar a esta, repitiendo varias veces el ejercicio. Esto le ayudará a aprender mejor este importante movimiento y le preparará para la siguiente etapa del grupo de los temps lié.</p>
<p>The post <a href="https://worldballetclass.com/master-classes/maestra-mayumi-sakamoto-leccion-numero-7-para-principiantes-y-maestros-la-importancia-del-temps-lie-part-2-temps-lie-con-port-de-bras/">Maestra Mayumi Sakamoto &lt;BR&gt; Lección número 7 | Para principiantes y maestros  La Importancia Del Temps Lié &lt;BR&gt; Part 2 &#8220;Temps Lié Con Port De Bras&#8221;</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></content:encoded>
					
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		<title>MASTER CLASS Andrey Klemm &#038; Little Ballerina. , BARRE, CENTER, JUMPS, POINTES.  3 days access! SPECIAL OFFER!</title>
		<link>https://worldballetclass.com/master-classes/master-class-andrey-klemm-little-ballerina-barre-center-jumps-pointes-3-days-access-special-offer/</link>
					<comments>https://worldballetclass.com/master-classes/master-class-andrey-klemm-little-ballerina-barre-center-jumps-pointes-3-days-access-special-offer/#respond</comments>
		
		<dc:creator><![CDATA[Andrei Klemm]]></dc:creator>
		<pubDate>Wed, 24 Mar 2021 19:10:41 +0000</pubDate>
				<guid isPermaLink="false">https://worldballetclass.com/?post_type=product&#038;p=6315</guid>

					<description><![CDATA[<p>Enjoy a unique ballet master class of Andrey Klemm</p>
<p>The teacher at Opera National de Paris, guest teacher at Bolshoi Ballet Moscow, Het National Ballet Amsterdam.</p>
<p>The post <a href="https://worldballetclass.com/master-classes/master-class-andrey-klemm-little-ballerina-barre-center-jumps-pointes-3-days-access-special-offer/">MASTER CLASS Andrey Klemm &#038; Little Ballerina. ,&lt;BR&gt; BARRE, CENTER, JUMPS, POINTES. &lt;BR&gt; 3 days access! SPECIAL OFFER!</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>BARRE<br />
1. Warm up<br />
2. Plie<br />
3. Battement Tendu 1<br />
4. Battement Tendu 2<br />
5. Battement Tendu 3<br />
6. Battement Tendu Jete 1<br />
7. Battement Tendu Jete 2<br />
8. Rond de Jambe a Terre<br />
9. Fondu<br />
10. Rond de Jambe en l’Air<br />
11. Frappe<br />
12. Adagio<br />
13. Grand Battement<br />
14. Releve<br />
15. Stretch</p>
<p>CENTER:<br />
16. Small Adagio<br />
17. Battement Tendu<br />
18. Battement Tendu Jete<br />
19. Pirouette sur Place<br />
20. Rond de Jambe a Terre<br />
21. Pirouette Diagonale<br />
22. Grand Battement</p>
<p>JUMPS:<br />
23. Saute<br />
24. Echappe<br />
25. Assemble<br />
26. Brise<br />
27. Sissonne Fermee</p>
<p>POINTES:<br />
28. Pique Releve<br />
29. Echappe Retire<br />
30. Pas de Bourree<br />
31. Port de Bras Reverence<br />
Little Ballerina: Siloe Vanuxen. Film Director: Andrey Klemm. Piano: Marita Mirsalimova Photos: Maria-Helena Buckley. Design: Victor Arjona. Camera: Denis Sneguirev, Philippe Chevallier, Jeremie Cuviller, Victor Arjona. Sound: Fred Dabo. Re-recording Mixing: Christiphe De Pinho.</p>
<p>The post <a href="https://worldballetclass.com/master-classes/master-class-andrey-klemm-little-ballerina-barre-center-jumps-pointes-3-days-access-special-offer/">MASTER CLASS Andrey Klemm &#038; Little Ballerina. ,&lt;BR&gt; BARRE, CENTER, JUMPS, POINTES. &lt;BR&gt; 3 days access! SPECIAL OFFER!</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></content:encoded>
					
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		<title>Boris Kniaseff Floor Barre with Nadja Saidakova  For Professional &#124; Pre-professional &#124; Advanced 3 days access</title>
		<link>https://worldballetclass.com/master-classes/boris-kniaseff-floor-barre-with-nadja-saidakova-for-professional-pre-professional-advanced-3-days-access/</link>
					<comments>https://worldballetclass.com/master-classes/boris-kniaseff-floor-barre-with-nadja-saidakova-for-professional-pre-professional-advanced-3-days-access/#respond</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Fri, 19 Mar 2021 13:43:13 +0000</pubDate>
				<guid isPermaLink="false">https://worldballetclass.com/?post_type=product&#038;p=6288</guid>

					<description><![CDATA[<p>This is a complex, helpful class for those who already know Boris Kniaseff Floor Barre and did Nadja Saidakova’s Boris Kniaseff Floor Barre classes.</p>
<p>The class begins with a warm-up, continues with many special and rare exercises for the abdomen, back and stretching.</p>
<p>And very special - unique and beneficial exercises associated with increasing body coordination, coordination of all parts of the body which give accuracy, mobility, and instills elasticity for ballet dancers.</p>
<p>The Class develops coordination and flexibility, contributes not only to keeping the dancer in shape, but also to the elaboration of the body and body capabilities.</p>
<p>This Class is recommended primarily for professional ballet dancers but can also be useful for pre-professional dancers and advanced students.</p>
<p>The post <a href="https://worldballetclass.com/master-classes/boris-kniaseff-floor-barre-with-nadja-saidakova-for-professional-pre-professional-advanced-3-days-access/">Boris Kniaseff Floor Barre with Nadja Saidakova &lt;BR&gt; For Professional | Pre-professional | Advanced &lt;BR&gt;3 days access</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Boris Knyazev is the author of the FB method, revolutionary in the field of choreography, its essence is that all the training exercises that consisted of a classical dance lesson were carried out lying or sitting on the floor. Boris Knyazev&#8217;s parterre gymnastics was aimed at developing the elasticity of the ligaments, strengthening the muscles of the lower extremities, beautiful posture, stability, and good coordination of movements.</p>
<p>“Floor Barre” can be used as a light warm-up before the main ballet lesson, as well as a separate &#8220;lesson on the floor&#8221; for intensive training and strengthening the back muscles, building good posture, and stretching. The muscles of the abdomen, abs, chest are strengthened. In the process of training, the eversion of the feet, knees, hips is developed. The En-dehors position is acquired due to the increased load on the deep muscles of the pelvic floor, which cannot be achieved by practicing only at the ballet barre in a standing position.</p>
<p>The great advantage of Kniaseff parterre gymnastics is that it is performed on the floor, that is, without unnecessary stress on the spine, which does not harm the back. In this way, excessive stress, balance problems, and improper placement of body weight on the legs can be prevented. Kniaseff’s exercise is especially recommended after a long break in ballet classes, after injuries as rehabilitation.</p>
<p><b><i>Due to the influence of the </i></b><b>COVID-19</b><b><i> , the lesson contents made for  “stay-home”. The recording is also taken at home during pandemic time ,thank you for your understanding.</i></b></p>
<p>The post <a href="https://worldballetclass.com/master-classes/boris-kniaseff-floor-barre-with-nadja-saidakova-for-professional-pre-professional-advanced-3-days-access/">Boris Kniaseff Floor Barre with Nadja Saidakova &lt;BR&gt; For Professional | Pre-professional | Advanced &lt;BR&gt;3 days access</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></content:encoded>
					
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		<item>
		<title>Boris Kniaseff Floor Barre with Nadja Saidakova  For Professional &#124; Pre-professional &#124; Advanced 7 days access</title>
		<link>https://worldballetclass.com/master-classes/boris-kniaseff-floor-barre-with-nadja-saidakova-for-professional-pre-professional-advanced-7-days-access/</link>
					<comments>https://worldballetclass.com/master-classes/boris-kniaseff-floor-barre-with-nadja-saidakova-for-professional-pre-professional-advanced-7-days-access/#respond</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Fri, 19 Mar 2021 12:45:55 +0000</pubDate>
				<guid isPermaLink="false">https://worldballetclass.com/?post_type=product&#038;p=6279</guid>

					<description><![CDATA[<p>This is a complex, helpful class for those who already know Boris Kniaseff Floor Barre and did Nadja Saidakova’s Boris Kniaseff Floor Barre classes.</p>
<p>The class begins with a warm-up, continues with many special and rare exercises for the abdomen, back and stretching.</p>
<p>And very special - unique and beneficial exercises associated with increasing body coordination, coordination of all parts of the body which give accuracy, mobility, and instills elasticity for ballet dancers.</p>
<p>The Class develops coordination and flexibility, contributes not only to keeping the dancer in shape, but also to the elaboration of the body and body capabilities.</p>
<p>This Class is recommended primarily for professional ballet dancers but can also be useful for pre-professional dancers and advanced students.</p>
<p>The post <a href="https://worldballetclass.com/master-classes/boris-kniaseff-floor-barre-with-nadja-saidakova-for-professional-pre-professional-advanced-7-days-access/">Boris Kniaseff Floor Barre with Nadja Saidakova &lt;BR&gt; For Professional | Pre-professional | Advanced &lt;BR&gt;7 days access</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Boris Knyazev is the author of the FB method, revolutionary in the field of choreography, its essence is that all the training exercises that consisted of a classical dance lesson were carried out lying or sitting on the floor. Boris Knyazev&#8217;s parterre gymnastics was aimed at developing the elasticity of the ligaments, strengthening the muscles of the lower extremities, beautiful posture, stability, and good coordination of movements.</p>
<p>“Floor Barre” can be used as a light warm-up before the main ballet lesson, as well as a separate &#8220;lesson on the floor&#8221; for intensive training and strengthening the back muscles, building good posture, and stretching. The muscles of the abdomen, abs, chest are strengthened. In the process of training, the eversion of the feet, knees, hips is developed. The En-dehors position is acquired due to the increased load on the deep muscles of the pelvic floor, which cannot be achieved by practicing only at the ballet barre in a standing position.</p>
<p>The great advantage of Kniaseff parterre gymnastics is that it is performed on the floor, that is, without unnecessary stress on the spine, which does not harm the back. In this way, excessive stress, balance problems, and improper placement of body weight on the legs can be prevented. Kniaseff’s exercise is especially recommended after a long break in ballet classes, after injuries as rehabilitation.</p>
<p><b><i>Due to the influence of the </i></b><b>COVID-19</b><b><i> , the lesson contents made for  “stay-home”. The recording is also taken at home during pandemic time ,thank you for your understanding.</i></b></p>
<p>The post <a href="https://worldballetclass.com/master-classes/boris-kniaseff-floor-barre-with-nadja-saidakova-for-professional-pre-professional-advanced-7-days-access/">Boris Kniaseff Floor Barre with Nadja Saidakova &lt;BR&gt; For Professional | Pre-professional | Advanced &lt;BR&gt;7 days access</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></content:encoded>
					
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		<title>Intermediate / Advanced class  30 days Access</title>
		<link>https://worldballetclass.com/master-classes/intermediate-advanced-class-30-days-access/</link>
					<comments>https://worldballetclass.com/master-classes/intermediate-advanced-class-30-days-access/#respond</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 17 Mar 2021 22:37:40 +0000</pubDate>
				<guid isPermaLink="false">https://worldballetclass.com/?post_type=product&#038;p=6255</guid>

					<description><![CDATA[<p><span class="fontstyle0">Hello! I am a Ballet Master and pedagogue, I work with professional dancers and students.<br />
This class is an Intermediate / Advanced class, but it is good for professionals who want to clean<br />
their work or who come back to ballet after an injury or a break.<br />
With this workout you will be on your legs, you will improve your balance and coordination and you<br />
will clean your positions and placement.<br />
The class is 45 minutes long and includes two little jumps exercices at the end.<br />
I hope you will enjoy and improve your technique.<br />
Happy dancing!<br />
Ludovic Party</span></p>
<p>The post <a href="https://worldballetclass.com/master-classes/intermediate-advanced-class-30-days-access/">Intermediate / Advanced class &lt;BR&gt; 30 days Access</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The post <a href="https://worldballetclass.com/master-classes/intermediate-advanced-class-30-days-access/">Intermediate / Advanced class &lt;BR&gt; 30 days Access</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
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		<title>Le Corsaire. Female Classical Variation  30 days Access</title>
		<link>https://worldballetclass.com/master-classes/le-corsaire-female-classical-variation-30-days-access/</link>
					<comments>https://worldballetclass.com/master-classes/le-corsaire-female-classical-variation-30-days-access/#respond</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 17 Mar 2021 22:37:37 +0000</pubDate>
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					<description><![CDATA[<p><strong>Female Classical Variation</strong><br />
Medora from Le Jardin Animé Act Three from Le Corsaire.<br />
If you are an Advanced student or a professional dancer and you are getting ready for a<br />
competition or an audition, this is the right video for you.<br />
You will find corrections and tips to work and perform better this variation.<br />
An elegant variation where you can show your technique and artistry</p>
<p>The post <a href="https://worldballetclass.com/master-classes/le-corsaire-female-classical-variation-30-days-access/">Le Corsaire. Female Classical Variation &lt;BR&gt; 30 days Access</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The post <a href="https://worldballetclass.com/master-classes/le-corsaire-female-classical-variation-30-days-access/">Le Corsaire. Female Classical Variation &lt;BR&gt; 30 days Access</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
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		<title>La Fille Mal Gardée. Male Classical Variation  30 days Access</title>
		<link>https://worldballetclass.com/master-classes/la-fille-mal-gardee-male-classical-variation-30-days-access/</link>
					<comments>https://worldballetclass.com/master-classes/la-fille-mal-gardee-male-classical-variation-30-days-access/#respond</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 17 Mar 2021 22:37:32 +0000</pubDate>
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					<description><![CDATA[<p>Variation of Colin from La Fille Mal Gardée.<br />
This video is for advanced and professional dancers who need a variation full of technique, with big leaps, batteries and turns.<br />
I give corrections on little jumps and pirouettes so you can improve your technique and clean your little batterie.<br />
Get ready for auditions and competitions with a vibrant variation.</p>
<p>The post <a href="https://worldballetclass.com/master-classes/la-fille-mal-gardee-male-classical-variation-30-days-access/">La Fille Mal Gardée. Male Classical Variation &lt;BR&gt; 30 days Access</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The post <a href="https://worldballetclass.com/master-classes/la-fille-mal-gardee-male-classical-variation-30-days-access/">La Fille Mal Gardée. Male Classical Variation &lt;BR&gt; 30 days Access</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
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		<title>Intermediate / Advanced class  10 days Access</title>
		<link>https://worldballetclass.com/master-classes/intermediate-advanced-class-10-days-access/</link>
					<comments>https://worldballetclass.com/master-classes/intermediate-advanced-class-10-days-access/#respond</comments>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 17 Mar 2021 22:28:23 +0000</pubDate>
				<guid isPermaLink="false">https://worldballetclass.com/?post_type=product&#038;p=6249</guid>

					<description><![CDATA[<p><span class="fontstyle0">Hello! I am a Ballet Master and pedagogue, I work with professional dancers and students.<br />
This class is an Intermediate / Advanced class, but it is good for professionals who want to clean<br />
their work or who come back to ballet after an injury or a break.<br />
With this workout you will be on your legs, you will improve your balance and coordination and you<br />
will clean your positions and placement.<br />
The class is 45 minutes long and includes two little jumps exercices at the end.<br />
I hope you will enjoy and improve your technique.<br />
Happy dancing!<br />
Ludovic Party</span></p>
<p>The post <a href="https://worldballetclass.com/master-classes/intermediate-advanced-class-10-days-access/">Intermediate / Advanced class &lt;BR&gt; 10 days Access</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The post <a href="https://worldballetclass.com/master-classes/intermediate-advanced-class-10-days-access/">Intermediate / Advanced class &lt;BR&gt; 10 days Access</a> appeared first on <a href="https://worldballetclass.com">WorldBalletClass</a>.</p>
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